Dance

Classic Re-envisioned

Martins’ Swan Lake at NYCB

by Helen Cooper   |   Dec 30, 2009

Classic Re-envisioned

Photo: Paul Kolnik

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The iconic image of the ballerina—taut tutu, arms in fifth position, regally balanced on tip-toes—may very well be attributed to George Balanchine’s Swan Lake. Originally choreographed in 1951 for the New York City Ballet, the fairytale opus has become synonymous with modern ballet. This winter season, the City Ballet Repertory will offer audiences a reinterpretation as choreographed by Peter Martins (after Marius Petipa, Lev Ivanov and George Balanchine), February 10–14, 2010 at the David H. Koch Theater.

Martins’ Swan Lake is an intrepid and provocative elucidation, a full-length ballet that pays tribute to the ground broken before it while adding new elements to the history of dance. Martins has retained the classic set pieces of Ivanov and Petipa, as well as the quickness and lucidity of Balanchine’s choreography but he has also added his own touch. His choreographic trademarks can be seen in the complex combinations and intense partner work seen in the ballet.

Swan Lake itself is a psychologically stirring ballet, one that begs the audience to explore the emotional elements of the story and examine the interconnected relationships represented within. Martins’ Swam Lake includes a new ending, one which viewers have found to extend the limits of this psychological examination. With music by Tchaikovsky, Swan Lake is a stunning example of the past, present and future of ballet.

Performances of Swan Lake at the New York City Ballet will take place February 10–14, 2010 at the David H. Koch Theater (20 Lincoln Center Plaza New York, NY 10023). To purchase tickets please visit www.nycballet.com or call the NYCB box office at (212) 870-5570.